Issue link: https://nbm.uberflip.com/i/1490460
8 2 G R A P H I C S P R O • F E B R U A R Y 2 0 2 3 G R A P H I C S - P R O. C O M A P P A R E L D E C O R A T I N G also applied a soft and worn edges feel throughout. e combination together made a great distressed print. Most images would be printed on a dark garment, and we — mostly — didn't use a white printer or baseplate that we might ordinarily use. e ink was mostly trans- parent from the dark fabric's influence and pushed way back for the illusion of a well- worn garment. Additional designs called for a vintage style with secondary elements. ese sim- ple one to four color concepts were great for the old authentic feel. Some of this old art style has an overexposed look to it as well. We started in Photoshop and built our basic shapes for overall composi- tions. We hand-drew some of the unusual shapes and scanned those into Illustrator, then placed into Photoshop and merged We had nearly 50 designs that needed to be developed between the two brands, so we had our work cut out for us.